Tilda Publishing
Tilda Publishing
Tilda Publishing
Tilda Publishing
Tilda Publishing
Famous for his temperament and emotional approach, Mikhail Gubsky continues exploring the dramatic depth of his characters on stage. A winner of a number of vocal competitions in 1990s, Pechkovsky competition in Sankt-Petersburg in 1996 in particular, Mikhail Gubsky has built a prominent career as an opera tenor since then, not only as a soloist of the Kolobov Novaya Opera Theatre or the Bolshoi Theatre in Moscow, but also as a sought-after tenor in Europe and America. With more than 50 roles in his pocket, he was recently engaged in the performance of Madama Butterfluy at the Kolobov Novaya Opera Theater under the baton of Maestro Jan Latham-Koenig. Other recent engagements include Hermann in Queen of Spades for Minsk Opera Theatre, Manrico in Il Trovattore for the Novaya Opera Theatre of Moscow, Tristan in Tristan und Isolde for Regensburg Theatre under the baton of Maestro Tetsuro Ban, Canio in Pagliacci for Oslo Opera House, Pretender in Boris Godunov for Santiago Opera House, Radames in Aida for Krasnoyarsk Opera Theatre and Cavaradossi in Tosca for Samara Opera Theatre. In 2017 Mr. Gubsky made his debut as Sergei in Lady Macbeth of Mzensk for Santiago Opera House under the baton of Maestro Chudovsky, and as Herodes in Salome for the Novaya Opera Theatre.

His concert experience includes Verdi's Requiem, Mahler's Das Lied von der Erde, Shostakovich's song-cycle From Jewish Folk Poetry which he performed with Maestro Vladimir Spivakov and the National Philharmonic of Russia. Mikhail Gubsky is an ardent supporter of vocal music written by contemporary composers. One of the recent performances includes Szymanowski's King Roger under the baton of Maestro Jan Latham-Koenig in Kolobov Novaya Opera Theatre in Moscow.
During the years of his successful career, Mr. Gubsky also appeared with Hungarian State Opera House and Teatro Massimo of Palermo, having the opportunity to work with such prominent conductors as Mikhail Pletnev, Eugene Kolobov, Mark Ermler, Alexander Vedernikov, Yuri Kochnev, Dmitri Yurovski, Sergey Stadler, Kent Nagano, James Conlon and Tom Woods among others.
A B O U T
Famous for his temperament and emotional approach, Mikhail Gubsky continues exploring the dramatic depth of his characters on stage. A winner of a number of vocal competitions in 1990s, Pechkovsky competition in Sankt-Petersburg in 1996 in particular, Mikhail Gubsky has built a prominent career as an opera tenor since then, not only as a soloist of the Kolobov Novaya Opera Theatre or the Bolshoi Theatre in Moscow, but also as a sought-after tenor in Europe and America. With more than 50 roles in his pocket, he was recently engaged in the performance of Madama Butterfluy at the Kolobov Novaya Opera Theater under the baton of Maestro Jan Latham-Koenig. Other recent engagements include Hermann in Queen of Spades for Minsk Opera Theatre, Manrico in Il Trovattore for the Novaya Opera Theatre of Moscow, Tristan in Tristan und Isolde for Regensburg Theatre under the baton of Maestro Tetsuro Ban, Canio in Pagliacci for Oslo Opera House, Pretender in Boris Godunov for Santiago Opera House, Radames in Aida for Krasnoyarsk Opera Theatre and Cavaradossi in Tosca for Samara Opera Theatre. In 2017 Mr. Gubsky made his debut as Sergei in Lady Macbeth of Mzensk for Santiago Opera House under the baton of Maestro Chudovsky, and as Herodes in Salome for the Novaya Opera Theatre.
His concert experience includes Verdi's Requiem, Mahler's Das Lied von der Erde, Shostakovich's song-cycle From Jewish Folk Poetry which he performed with Maestro Vladimir Spivakov and the National Philharmonic of Russia. Mikhail Gubsky is an ardent supporter of vocal music written by contemporary composers. One of the recent performances includes Szymanowski's King Roger under the baton of Maestro Jan Latham-Koenig in Kolobov Novaya Opera Theatre in Moscow.

During the years of his successful career, Mr. Gubsky also appeared with Hungarian State Opera House and Teatro Massimo of Palermo, having the opportunity to work with such prominent conductors as Mikhail Pletnev, Eugene Kolobov, Mark Ermler, Alexander Vedernikov, Yuri Kochnev, Dmitri Yurovski, Sergey Stadler, Kent Nagano, James Conlon and Tom Woods among others.
A B O U T
Famous for his temperament and emotional approach, Mikhail Gubsky continues exploring the dramatic depth of his characters on stage. A winner of a number of vocal competitions in 1990s, Pechkovsky competition in Sankt-Petersburg in 1996 in particular, Mikhail Gubsky has built a prominent career as an opera tenor since then, not only as a soloist of the Kolobov Novaya Opera Theatre or the Bolshoi Theatre in Moscow, but also as a sought-after tenor in Europe and America. With more than 50 roles in his pocket, he was recently engaged in the performance of Madama Butterfluy at the Kolobov Novaya Opera Theater under the baton of Maestro Jan Latham-Koenig. Other recent engagements include Hermann in Queen of Spades for Minsk Opera Theatre, Manrico in Il Trovattore for the Novaya Opera Theatre of Moscow, Tristan in Tristan und Isolde for Regensburg Theatre under the baton of Maestro Tetsuro Ban, Canio in Pagliacci for Oslo Opera House, Pretender in Boris Godunov for Santiago Opera House, Radames in Aida for Krasnoyarsk Opera Theatre and Cavaradossi in Tosca for Samara Opera Theatre. In 2017 Mr. Gubsky made his debut as Sergei in Lady Macbeth of Mzensk for Santiago Opera House under the baton of Maestro Chudovsky, and as Herodes in Salome for the Novaya Opera Theatre.

His concert experience includes Verdi's Requiem, Mahler's Das Lied von der Erde, Shostakovich's song-cycle From Jewish Folk Poetry which he performed with Maestro Vladimir Spivakov and the National Philharmonic of Russia. Mikhail Gubsky is an ardent supporter of vocal music written by contemporary composers. One of the recent performances includes Szymanowski's King Roger under the baton of Maestro Jan Latham-Koenig in Kolobov Novaya Opera Theatre in Moscow.

During the years of his successful career, Mr. Gubsky also appeared with Hungarian State Opera House and Teatro Massimo of Palermo, having the opportunity to work with such prominent conductors as Mikhail Pletnev, Eugene Kolobov, Mark Ermler, Alexander Vedernikov, Yuri Kochnev, Dmitri Yurovski, Sergey Stadler, Kent Nagano, James Conlon and Tom Woods among others.
A B O U T
Famous for his temperament and emotional approach, Mikhail Gubsky continues exploring the dramatic depth of his characters on stage. A winner of a number of vocal competitions in 1990s, Pechkovsky competition in Sankt-Petersburg in 1996 in particular, Mikhail Gubsky has built a prominent career as an opera tenor since then, not only as a soloist of the Kolobov Novaya Opera Theatre or the Bolshoi Theatre in Moscow, but also as a sought-after tenor in Europe and America. With more than 50 roles in his pocket, he was recently engaged in the performance of Madama Butterfluy at the Kolobov Novaya Opera Theater under the baton of Maestro Jan Latham-Koenig. Other recent engagements include Hermann in Queen of Spades for Minsk Opera Theatre, Manrico in Il Trovattore for the Novaya Opera Theatre of Moscow, Tristan in Tristan und Isolde for Regensburg Theatre under the baton of Maestro Tetsuro Ban, Canio in Pagliacci for Oslo Opera House, Pretender in Boris Godunov for Santiago Opera House, Radames in Aida for Krasnoyarsk Opera Theatre and Cavaradossi in Tosca for Samara Opera Theatre. In 2017 Mr. Gubsky made his debut as Sergei in Lady Macbeth of Mzensk for Santiago Opera House under the baton of Maestro Chudovsky, and as Herodes in Salome for the Novaya Opera Theatre.

His concert experience includes Verdi's Requiem, Mahler's Das Lied von der Erde, Shostakovich's song-cycle From Jewish Folk Poetry which he performed with Maestro Vladimir Spivakov and the National Philharmonic of Russia. Mikhail Gubsky is an ardent supporter of vocal music written by contemporary composers. One of the recent performances includes Szymanowski's King Roger under the baton of Maestro Jan Latham-Koenig in Kolobov Novaya Opera Theatre in Moscow.

During the years of his successful career, Mr. Gubsky also appeared with Hungarian State Opera House and Teatro Massimo of Palermo, having the opportunity to work with such prominent conductors as Mikhail Pletnev, Eugene Kolobov, Mark Ermler, Alexander Vedernikov, Yuri Kochnev, Dmitri Yurovski, Sergey Stadler, Kent Nagano, James Conlon and Tom Woods among others.
A B O U T
Famous for his temperament and emotional approach, Mikhail Gubsky continues exploring the dramatic depth of his characters on stage. A winner of a number of vocal competitions in 1990s, Pechkovsky competition in Sankt-Petersburg in 1996 in particular, Mikhail Gubsky has built a prominent career as an opera tenor since then, not only as a soloist of the Kolobov Novaya Opera Theatre or the Bolshoi Theatre in Moscow, but also as a sought-after tenor in Europe and America. With more than 50 roles in his pocket, he was recently engaged in the performance of Madama Butterfluy at the Kolobov Novaya Opera Theater under the baton of Maestro Jan Latham-Koenig. Other recent engagements include Hermann in Queen of Spades for Minsk Opera Theatre, Manrico in Il Trovattore for the Novaya Opera Theatre of Moscow, Tristan in Tristan und Isolde for Regensburg Theatre under the baton of Maestro Tetsuro Ban, Canio in Pagliacci for Oslo Opera House, Pretender in Boris Godunov for Santiago Opera House, Radames in Aida for Krasnoyarsk Opera Theatre and Cavaradossi in Tosca for Samara Opera Theatre. In 2017 Mr. Gubsky made his debut as Sergei in Lady Macbeth of Mzensk for Santiago Opera House under the baton of Maestro Chudovsky, and as Herodes in Salome for the Novaya Opera Theatre.

His concert experience includes Verdi's Requiem, Mahler's Das Lied von der Erde, Shostakovich's song-cycle From Jewish Folk Poetry which he performed with Maestro Vladimir Spivakov and the National Philharmonic of Russia. Mikhail Gubsky is an ardent supporter of vocal music written by contemporary composers. One of the recent performances includes Szymanowski's King Roger under the baton of Maestro Jan Latham-Koenig in Kolobov Novaya Opera Theatre in Moscow.

During the years of his successful career, Mr. Gubsky also appeared with Hungarian State Opera House and Teatro Massimo of Palermo, having the opportunity to work with such prominent conductors as Mikhail Pletnev, Eugene Kolobov, Mark Ermler, Alexander Vedernikov, Yuri Kochnev, Dmitri Yurovski, Sergey Stadler, Kent Nagano, James Conlon and Tom Woods among others.

A B O U T

P H O T O S
P H O T O S
P H O T O S
P H O T O S
P H O T O S
C O N T A C T
Sergey Lunev
Artist Manager
+44 7447 351437
manager@sergeylunev.com
C O N T A C T
Sergey Lunev
Artist Manager
+44 7447 351437
manager@sergeylunev.com
C O N T A C T
Sergey Lunev
Artist Manager
+44 7447 351437
manager@sergeylunev.com
C O N T A C T
Sergey Lunev
Artist Manager
+44 7447 351437
manager@sergeylunev.com
C O N T A C T
Sergey Lunev
Artist Manager
+44 7447 351437
manager@sergeylunev.com

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